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| Foft is also an exception in that it has a hierarchy consisting of a First Ienana, a title usually given to the [[King of Kings]] or head of a ruling family, and Following Ienanas, the number of which is defined by the amount of ruling family members that have a family of their own. Each Following Ienana is then considered to be First in their parish and would have Following Ienanas based on the number of people in the congregation. | | Foft is also an exception in that it has a hierarchy consisting of a First Ienana, a title usually given to the [[King of Kings]] or head of a ruling family, and Following Ienanas, the number of which is defined by the amount of ruling family members that have a family of their own. Each Following Ienana is then considered to be First in their parish and would have Following Ienanas based on the number of people in the congregation. |
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− | == Religious music == | + | == Canon == |
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− | Xaewoon's canon is mostly based in strons (songs). They are traditionally performed with a dalas, a single string instrument, and a tarati, a small flute. Dalas typically represents Eternal Companion and tarati represents either Cangon or the Great Hornet. Music pieces involve a duet between a dalas and a tarati, with a singer performing a stron. | + | The practice of Xaewoon does not use written texts, instead placing great importance on the oral tradition of lores: a collection of strons (songs) that are being passed down from generation to generation. |
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− | The tradition is thought to have originated with the [[Oaleed]], who have disseminated the tradition in the beginning of the second revolution throughout the [[Commonground]]. It then moved south along the Erna river. The use of dalas is less common in the south of Tarnaria. Traditional [[Ybuwyn]] music, for instance, involves a singer and the bowonn drum. | + | The strons are traditionally performed with a dalas, a single string instrument, and a tarati, a small flute. Dalas represents Eternal Companion and tarati represents either Cangon or the Great Hornet. Music pieces involve a duet between a dalas and a tarati, with the vocalist either singing or speaking the text. |
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| + | First revolution performers used only dalas. The use of tarati is thought to have originated with the [[Oaleed]], who have disseminated the tradition in the beginning of the second revolution throughout the [[Commonground]]. It then moved south along the Erna river. The use of dalas is less common in the south of Tarnaria. Traditional [[Ybuwyn]] music, for instance, involves a singer and the bowonn drum. |
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| + | Teaching the lore to one's offspring and learning strons from one's parents is an important and cherished part of the Xaewoon religion. |
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| + | === List of lores === |
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| + | * [[The Great Lore]] - a tradition, closely connected to performers such as [[Osdol]] and [[Motys]] |
| + | * [[Swift Hen]] - a tradition launched by Morol, meant to compete with the Great Lore and rewrite history according to [[Mōroh]] principles |
| + | * [[Canon Lore]] |
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| == Formations == | | == Formations == |
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| Xaewoon's dominance in Tarnaria, combined with a strategic tolerance towards other religions, has resulted in the so-called formations, semi-official denominations, comprised of various religions and Xaewoon. The most common ones are Xaewoon Lolion, Xaewoon Davinia and Xaewoon Rahkanja. | | Xaewoon's dominance in Tarnaria, combined with a strategic tolerance towards other religions, has resulted in the so-called formations, semi-official denominations, comprised of various religions and Xaewoon. The most common ones are Xaewoon Lolion, Xaewoon Davinia and Xaewoon Rahkanja. |